Editors Unveil The Blanck Mass Sessions

RELEASED IN LIMITED COLOUR VINYL FOR RECORD STORE DAY 2019

AND AVAILABLE ON GENERAL RELEASE MAY 3

Lead Single ‘Barricades’ Unveiled, 

Editors today announce the release of The Blanck Mass Sessions for Record Store Day 2019. An electronica-infused alternative version of their acclaimed album Violence, The Blank Mass Sessions cast the songs in a bold new light, offering a fascinating insight into the album’s creative process. The album will be released on limited edition colour vinyl on Record Store Day on April 13 with general release on May 3 via Play It Again Sam.

The eight track LP, made up of producer Blanck Mass’ original productions of Violence, also includes the brand new single ‘Barricades’, unveiled today with a deeply satisfying mechanical video created by Bristol based Hi-Sim Studios.

“I was thinking about the mechanical nature of music – looping patterns of sound. This got me thinking about these amazing machines – brimming with little processes that perform precise repetitive functions. it is the imperfections, though, that bring about a warm human element, so I decided to see what would happen when they fail and the smallest of errors become catastrophic.”, Hi-Sim explains.

The story of The Blanck Mass Sessions begins in 2017. Editors invited producer Benjamin John Power, aka Blanck Mass, to deconstruct the recordings that were to be the building blocks of Violence, and reassemble them in his signature saw-toothed experimental electronica. The band then enlisted producer Leo Abrahams to find the middle ground between the two recordings, fusing the raw emotion of their takes with the sparse ferocity of the Blanck Mass original productions. Whilst this fusion of the three creative influences went on to become Violence, Benjamin’s versions remained a work of art worthy of their own release, as front man Tom Smith explains:

“When we initially approached Ben to work with us on Violence we gave him free reign to do whatever he wanted. It seemed stupid to try and instill any boundaries or direction to him as he has such a singular, authored sound to everything he puts his hand to… so we left him to it. The results of that process being this release. A very visceral version of our album Violence.”

For lead single ‘Barricades’, Smith’s hopeful lyrics combine with yearning synths over robotic drum machines and sweeping basslines, while ‘Cold’ is given a frostier edge through Blanck Mass’ harsh percussion and robotic directness. ‘Violence’s stripped back beat builds and erupts into a synth-fuelled chorus brim-full of busy drum patterns and ‘Magazine’s jaunty, sweeping synths and rolling snares lend it even more electronic swagger than the original. ‘Hallelujah (So Low)’ gifts the greatest insight into the triangular relationship Violence was born from. The warmth of the album version’s acoustic guitar and industrial fueled chorus are replaced with sparse, ethereal synths, giving the track, and The Blanck Mass Sessions in general, a mechanical, other-worldly edge.

Six studio albums into their existence and Editors sound as energised as ever. 2018 saw the release of Violence; another top 10 record to add to their impressive back catalogue, which includes two UK #1 albums and 3 platinum certifications. A sold out UK tour culminating in an acclaimed show at O2 Academy Brixton followed a string of festival performances, including supporting The Cure at BST in Hyde Park and headlining the Werchter Classic, topping a bill that also contained heavyweights Kraftwerk and The National.

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