Tag Archives: Comedian






Salt Lake City, UT – April 2, 2018 – Dan Reynolds, lead singer of Imagine Dragons today
announced the second annual LOVELOUD Festival (http://loveloudfest.com) designed to
ignite the vital conversation about what it means to unconditionally love, understand,
accept, and support LGBTQ+ youth in our communities. The 2018 LOVELOUD Festival
will be powered by AT&T.

AT&T supports various initiatives that promote safety and inclusion for LGBTQ youth, including The Trevor Project’s suicide prevention and crisis intervention service. Together, through music and an inspiring message, LOVELOUD and AT&T can share our vision of a future where LGBTQ youth are connected to love and acceptance.

LGBTQ+ teen suicide, often caused by a lack of communication or an absence of
acceptance, is one of the most troubling issues in the community. The numbers are
• Suicide is the second leading cause of death in the US for youth (teenagers) according to
the Center for Disease Control.
• LGBTQ+ youth that come from a home or community where they are not accepted are
eight times more likely to commit suicide.

“We at LOVELOUD are determined to help create a more loving and accepting environment for them, while also hoping to raise more than $1 million dollars for local and national LGBTQ+ charities” said founder and Imagine Dragons front-man Dan Reynolds. “We look forward to a day dedicated to celebrating their diversity while listening to great music and inspiring speakers.”

LOVELOUD Festival will take place Saturday, July 28, 2018 in Salt Lake City, UT at the
Eccles Stadium and feature performances by Grammy® Award-winning artists Imagine
Dragons, Zedd and Linkin Park’s Mike Shinoda along with Grace Vanderwaal, Neon
Trees’ Tyler Glenn and A.W. Stand-up comedian, actor and writer Cameron Esposito will also perform and emcee the day’s festivities. More performers and speakers will be
announced in the coming weeks.

LOVELOUD tickets will go on sale Friday, April 6 at 10AM MST. Festival goers can
purchase tickets HERE. Doors open for the LOVELOUD Festival at 2pm and the music
begins at 3:30pm. The festival will feature food, beverages and a number of other
activities for fans of all ages and interests. The LOVELOUD Foundation will donate
proceeds from this year’s event to benefit LGBTQ+ organizations including Encircle, the Tegan and Sara Foundation and the Trevor Project.

“LOVELOUD’s inspiring goal is to raise $1 million dollars for LGBTQ+ organizations in
one day, and we know that this amazing program of music and speakers will entertain,
educate and inspire everyone who comes out in support on July 28th," said Tegan and Sara. “We started the Tegan and Sara Foundation to bring resources and attention to
issues affecting the LGBTQ community, and we are proud to work with the LOVELOUD
team to amplify their urgent message of acceptance and unconditional love.”

As part of this quest, Dan Reynold’s created a documentary centered around
LOVELOUD, called Believer. The film received runner up for the “Festival Favorite Award” at Sundance Film Festival 2018 and will premiere on HBO in June.

LOVELOUD’s inaugural festival bowed August 26, 2017 in Orem, UT at Brent Brown
Ballpark. The event drew 17,000 concertgoers and featured live music from Imagine
Dragons, Neon Trees, Krewella, Nicholas Petricca of Walk the Moon (Acoustic), Joshua
James, and Aja Volkman. In 2017, LOVELOUD Foundation lent its support to various
charities such as Encircle and Stand4Kind, as well as national charities, The Trevor
Project and GLAAD.

The LOVELOUD Foundation is a catalyst to bring communities and families together to
help ignite the vital conversation about what it means to unconditionally love our LGBTQ+youth. LOVELOUD offers hope to young people, letting them know they’re not alone and encouraging acceptance in the home and community. It all begins with talking about, sharing and showing the realities of what LGBTQ+ teens face daily. The LOVELOUD Foundation is a 501c3.

AT&T’s commitment to equality and inclusion for the LGBTQ community began in 1975,
when the company became one of the first American corporations to adopt a policy
prohibiting discrimination against employees based on sexual orientation. AT&T also has a long-standing commitment to fostering an inclusive workplace. LEAGUE at AT&T
(Lesbian, Gay, Bisexual, Transgender and Allies Employee Organizations of AT&T) is one of the oldest LGBTQ Employee Resource Groups (ERG) in the nation. In 1998, AT&T
adopted one of the first domestic partner benefits programs for LGBTQ employees. In
2006, AT&T was one of the first U.S. corporations to offer transgender-inclusive health
care benefits. At AT&T, diversity and inclusion will always be top priorities.

Kobalt Signs Childish Gambino

Kobalt, a music and technology company built for artists, songwriters, publishers and labels as an alternative to the traditional music business model, announced that it has signed Grammy award winning, actor, comedian, writer, director, producer, singer, songwriter, rapper, and DJ, Donald Glover, a.k.a., Childish Gambino. The worldwide agreement includes publishing administration, including global synch and creative support services, for all of Childish Gambino’s future songs after the Awaken, My Love! album. In addition, Kobalt has signed Wolf + Rothstein, Glover’s musical teams of collective songwriters and artists for publishing administration, global synch and creative support services.

Said Kobalt Music SVP, Creative, Al McLean, of the deal, “Donald is one of those rare multi-talented artists who can do it all. It’s an honor to sign Donald and Wolf + Rothstein Collective to the Kobalt family.”

Emmy-, Golden Globe-, and Grammy-winning actor, writer, comedian, DJ, and rapper Donald Glover broke into pop culture mainstream first on the hit TV sitcom Community after serving on the writing staff of both The Daily Show and 30 Rock. In August 2011, he signed to Glassnote Records under his rap moniker Childish Gambino and has since released two albums. Glover also currently stars in the FX series Atlanta, which he also created and occasionally directs.

Operating out of Temple Studios in Los Angeles, Wolf + Rothstein is the creative agency comprised of Golden Globe and Emmy Award winner Donald Glover, Wolf Taylor, and Fam Rothstein, all whom worked with the band that helped compose the critically acclaimed Awaken My Love! Released December 2, 2017, Awaken My Love! and the chart-topping hit single “Redbone” are nominated for five Grammy Awards: Album of the Year, Record of the Year, Best Traditional R&B Performance (winner), Best R&B Song, and Best Urban Contemporary Album. Childish Gambino is set to perform on Saturday Night Live on May 5, 2018.

“Wolf and Rothstein is excited to partner with Kobalt for publishing,” said Wolf Taylor of Wolf + Rothstein. “We’re looking forward to growing the roster together.”

‘Austin Powers’ actor Verne Troyer dead at 49

Written By | Christine Burroni

Verne Troyer, the actor best known for his role as “Mini-Me” in the “Austin Powers” series, died on Saturday, according to a statement posted on his Instagram page.

He was 49.

“Verne was an extremely caring individual. He wanted to make everyone smile, be happy, and laugh. Anybody in need, he would help to any extent possible. Verne hoped he made a positive change with the platform he had and worked towards spreading that message everyday.”

Troyer’s height — two feet and 8 inches — was due to his longtime diagnosis of achondroplasia dwarfism.

Earlier this month, the actor and comedian was hospitalized for possible alcohol poisoning, a year after he was in rehab.

“Verne was also a fighter when it came to his own battles. Over the years he’s struggled and won, struggled and won, struggled and fought some more, but unfortunately this time was too much.”

The social media announcement further explained the side effects of depression and urged followers to raise awareness of suicide. The announcement didn’t specifically state the actor’s cause of death and Troyer’s rep declined to comment further.

The statement concluded by asking for donations to Troyer’s two favorite charities, The Starkey Hearing Foundation and Best Buddies.

Troyer was married in 2004 to Playboy model Genevieve Gallen and was most recently linked to actress Brittney Powell. The actor was also known for his roles in “The Love Guru,” “Bubble Boy,” and “Postal,” along with various stints on reality TV shows.

Incase you missed The Martin Lawrence “Lit AF Tour” With Ricky Smiley, Michael Blackson, JB Smoove, Adele Givens and Benji Brown

Photos By | Kiki Archer

Martin Lawrence made his return to stand up with a sold out show in Atlanta.

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All eyes are on Cardi B right now, with the release of her debut album Invasion of Privacy on Friday (April 6). The promo run kicks off Saturday night (April 7) with the Bronx rapper performing on Saturday Night Live as the special musical guest.

Bardi will appear on the episode with Black Panther star Chadwick Boseman who will guest host the show. Thursday (April 5), the two entertainers, along with SNL performer Leslie Jones, appeared in a promo ad for the upcoming episode. The promo contains three takes. In one, the two ladies try to break the smooth, calm and collected actor out of his character as they urge him to say his lines with more vigor. In the second take, Bardi and Boseman jokingly insinuate they may be somehow related. In the last clip, Jones urges Cardi to kick some rhymes, but she declines.

Also noticeable in the ad is Cardi’s outfit, an over-sized top that does not show off her curves. She’s been uncharacteristically wearing more and more outfits like this these days adding more fuel to rumors about her being preggers. Cardi refuses to confirm the speculation that she may be with child. “I can’t address all the rumors and everything,” she said in a recent interview. “I have been so open to people about myself, people cannot expect me to open up about everything. Certain things have to be private.

Check out the new promo for tonight’s episode of Saturday Night Live guest starring Cardi B and Chadwick Boseman below.


Written By | cljones1

In the span of just a few short years, Bill Cosby went from being one of America’s most beloved comedians and actors to an alleged rapist with more than 50 accounts of sexual assault against him. Though dozens of women have made claims against Cosby only one has resulted in criminal charges. In exclusive interviews with Diana Parsons, Andrea Constand’s older sister, and Brian McMonagle, Cosby’s attorney for the first trial, CNN’s Jean Casarez offers an in-depth look at Constand, the woman, her trial, and the numerous allegations that followed. The Case Against Cosby airs Saturday, March 31stat 8pmET.

The first trial against Cosby took place during June of 2017– before the #MeToo movement began to change the way American culture views allegations of sexual assault – and it ended in a mistrial, after a jury was unable to come to a unanimous decision. Ten months later, with #MeToo in full swing, the second trial against Bill Cosby will be underway. Cosby is facing three counts of aggravated indecent assault, after Constand maintained he drugged and assaulted her while she was unconscious in his home in Philadelphia in 2004. If found guilty, the aging actor could spend the rest of his life in prison.

The Case Against Cosby will also stream live for subscribers on Saturday, March 31st via CNNgo (at CNN.com/go and via CNNgo apps for Apple TV, Roku, Amazon Fire, Samsung Smart TV and Android TV) and on the CNN mobile apps for iOS and Android. The series will also be available the day after the broadcast premiere on demand via cable/satellite systems, CNNgo platforms and CNN mobile apps.

Kevin Hart Reveals His Media Mogul Plan at Variety’s Massive Summit: ‘I Want to Be a Billionaire’

Written By | Joe Otterson

Kevin Hart provided a glimpse into his mogul-in-the-making mindset during his keynote conversation at the Variety Massive Summit in Los Angeles on Wednesday.

“The goal of being a mogul is a real one,” Hart told Variety‘s co-editor in chief Andrew Wallenstein. “I want to be a billionaire…I’m 38. By the time I’m 45, you guys are going to be telling a completely different story.”

Given Hart’s level of hustle, he is well on his way to achieving that goal. The multi-talented stand up comedian, actor, producer, writer, and content creator said he has no plans to slow down any time soon.

“I don’t understand why people work hard to get comfortable,” he said at Variety’s marketing event, which was presented by Deloitte.

Hart claims his work ethic derived from a simple piece of advice he got from his mother. After he failed to win a trophy at a swim meet as a child, Hart’s mother told him, “You can be great or you can not be great.” From there, he has pushed himself to be more than just an actor or comedian, but rather a franchise unto himself who partners with studios rather than being a performer-for-hire.

“I want the f–king trophies, man,” he said. “The trophy in entertainment is success, it’s ownership, it’s a brand.”

A massive part of Hart’s brand comes from his mastery of social media. He currently boasts over 100 million followers across platforms, offering fans daily insight into both his successes and his tribulations.

“The gift is, it’s access,” he said. “Today’s star and celebrity, you’re big and you become bigger when your fans feel like they see behind the closed door. There was a time where it was such an experience and mystique around stars. You only saw them when it was time to see them…Social media has allowed these stars to show that they’re people.”

In addition, Hart talked about his admiration of Hollywood mogul Tyler Perry, who owns a 200,000 sq. foot film and TV studio in Atlanta.

“The fact that they shot ‘Black Panther’ on Tyler Perry’s stage, blows (my mind),” he said. “How do I do that?” Hart asked. “How do I put myself in a position to give this younger generation what I don’t have?”

Hart also discussed plans to grow HartBeat Prods., his production company for TV And film projects. He touted his recent hire of John Cheng, formerly head of development at RatPac Entertainment, to the post of president of film at HartBeat, where he’s working closely alongside Hart.

“I don’t have time to take a s–t,” Hart joked, but said he’d rather prioritize and learn the business than be complacent like a work-for-hire actor.

“I love knowing, I love being informed and being aware,” he said of his brand.

On top of his incredibly packed schedule, Hart also recently launched the Laugh Out Loud (LOL) Network. The video streaming service formed in partnership with Lionsgate showcases original digital content featuring both Hart and up-and-coming comedic voices. After launching in August, the LOL app was downloaded over 500,000 times in its first 30 days, with Hart claiming the service now has 800,000 active users. In addition, LOL launched a 24-hour comedy channel on Sirius XM earlier this year.

All of his projects are leading Hart toward one goal: to take over Hollywood.

“It sounds so crazy, but if you don’t have the mentality of ‘Take over, do everything,’ you’re not doing nothing.”

Katt Williams Interned At An Alligator Farm to Prep for His Role On ‘Atlanta’

Written By | Angel Diaz 

Katt Williams is starting 2018 on the right foot. Fresh off a great stand-up special on Netflix, the comedian is busy working on a pair of movies—Meet The Blacks 2: The House Next Door (with Mike Epps, Lil Duval, Bresha Webb, and Michael Blackson) and 2 Minutes of Fame (with Jay Pharoah and Keke Palmer)—and just had a show-stealing performance on the first episode of Atlanta‘s second season. Katt plays Earn’s crazy uncle who, for some inexplicable reason just so happens to have a pet alligator, and the neighborhood kids call the “Alligator Man.”

While this isn’t the first time we’ve seen Katt show off his acting skills, this performance did display a range that we haven’t really seen from him before. It’s one of those stand-out performances that makes you hope he ends up getting more roles in the near future. We recently caught up with Katt to talk about how he was able to vibe with an alligator, how serious his acting was in the episode, and his admiration for Donald Glover.

You’re the Alligator Man in the first episode of Atlanta Robbin’ Season. How did you end up on the show?
I’m a music fan and I’m a comedy fan. [Donald’s] name carries that type of weight in both of those circles. So any project that he’s a part of, you want to be a part of as well. He had some thoughts on season two, where he wanted to take it, and how he wanted to put things out there. You can put yourself into somebody’s hand when you can trust their objective.

The first two times I auditioned, I wasn’t good enough and other people were better. I just kept at it, and then I interned at an alligator farm for three-and-a-half weeks, just so I could get comfortable enough that we didn’t use a stuntman. I really adopted the alligator into my home. And became so comfortable with it that it was like working with another co-star.

So you were just like chillin’ with the alligator for three weeks?

How was that experience?
It was life-changing.

How so? 
I’m saying it wasn’t the first alligator; the first alligator turned out to not work. When they got the next one in, he and I were able to vibe. But a lot of people probably would’ve quit.

So what was up with the first alligator? Were you just not fucking with his personality?
No, it was like, the stuff that he thought was cool to do wasn’t cool to do. He thought it was cool to just take his tail and knock people off they feet. That sounds funny and all, but it’s not like a dog, it’s an alligator. He enjoyed freaking people out way too much.

Well, that’s the whole thing, with the first alligator, I tried to act like I wasn’t nervous. That’s probably what got our dynamic off to the wrong foot; we weren’t being true to ourselves. [With] the second [alligator], I understood that this is the closest to a marriage that I’ve ever been. Like, you gotta trust me and I gotta trust you. There’s the line that neither of us needs to cross. I look out for your best interest, and you look out for mine.

There was a part towards the end of your scene when Earn was in the room trying to talk some sense into your character that stood out. Do you see yourself getting into more serious roles?
Yeah, we have some of that lined up. It’s really about the key of the writing. Even if you’re doing something that’s comedic, that doesn’t make the real parts any less real. You know what I mean? The real parts have to be real because it’s a story that we’re telling. I’m having to channel what somebody else is going through. It’s an uncle and a nephew conversation that is as deep as it can possibly be.

Is your character going to return this season?
I don’t know what any of the subsequent episode numbers are. I certainly haven’t seen the last of it.

How was the experience finally getting to work with Donald, since you’re such a big fan?
Oh, it was great. It was magnificent. It was not just him, you know? This is royalty in its completeness. So it’s impeccable. It’s a joy to witness, ya know? When somebody is not just on the top of their game but their people are on top of their game. It’s really wonderful to be able to see the Golden State Warrior mentality play out in another field.


‘Atlanta’ Season 2 Is Off to a Weird, Perfect Start

The premiere of the FX hit show’s new chapter reacquaints us with familiar faces and introduces some exciting new ones, including Katt Williams and his unconventional house pet

Written By |  

Even in a TV landscape characterized by peak drama and rare authenticity, critics and awards bodies and audiences all seemed to agree that the first season of Atlanta was exceptionally good, for many reasons. One of the show’s most impressive tricks was its insistence on subverting expectations at every available turn, whether those expectations were set by viewers, studio execs, or by Donald Glover himself. “Twin Peaks for rappers” fits neatly into 140 characters, and the conceit (a Princeton dropout, an aging rapper, and a space cadet tumble headlong through the Atlanta rap scene) seemed simple enough, but Atlanta was more ambitious than its creator’s elevator pitch in execution. And way weirder. There was an invisible car. There was a sketch comedy half-hour. Justin Bieber was black. Quavo went all Russell Baze on a dude in the woods using a hunting rifle he named “Percy.”

But you don’t need me to tell you that Atlanta was good and memorable. Now that “Robbin’ Season” (which means more and sounds cooler than “Season 2”) has arrived, the show will speak for itself once more. And we’ll all see what we loved about it in the first place: that Atlanta is still playing straw caterpillar with reality; that the show is still funny but not that kind of funny; that its choices are still thrillingly specific; that its use of guest stars still feels both whimsical and effective.

The problem is that I want to talk only about Katt Williams. We may talk about some other things by accident, but Williams—who is gloriously, hilariously, tragically pressed in the premiere—is the most pressing topic.

I guess we have to talk about where we left the principle characters; Atlanta has been off the air since the Season 1 finale in November 2016. Alfred, known to the internet as Paper Boi (Brian Tyree Henry), dropped a mixtape with a solid street single that his cousin-manager Earn (Glover) pledged to help transform into a full-on rap career. By roll credits, Earn’s only sort of succeeded at growing Paper Boi’s reach. Earn’s only sort of succeeded at a few things: keeping a roof over his head, getting his daughter into a decent school, working things out with his baby mama (Van, played by Zazie Beetz), figuring out what it is he wants out of life. The only thing he’s done successfully for sure is befriend Darius (Lakeith Stanfield), and thank God, because who among us wouldn’t want a friend like Darius?

If Season 1 ended on a note of fragile optimism, the premiere of “Robbin’ Season”feels defined by a simmering panic, like the anxiety that stampedes back in once a high wears off, like the dread of knowing you’ll have to either make decisions or have them made for you soon. The season premiere opens with Earn getting forced out of the storage unit he had been living in, and it’s three full minutes before any other familiar characters are shown. There’s a detached cold open that follows two new young men around the twist of a boring, gray winter day that suddenly turns violent. They play FIFA, they talk music, they decide that they’re hungry, they go to Mrs. Winner’s—a fictive version of the real chicken and biscuits spot, and one that doubles as a drug front. They rob the place, it turns bloody, it sets the tone: This is still Atlanta, but the stakes are irretrievably higher than they were two years ago. Disaster strikes elsewhere when Alfred, on house arrest, sends Earn over to his Uncle Willy’s after having received a call from Uncle Willy’s girlfriend, Yvonne, who said that Willy had “kidnapped” her. As it turns out, Uncle Willy is Katt Williams.

And he looks good, but, crucially, not great. At least as bad as when he retired from stand-up six years ago on KOMO 4 Seattle News dressed in a Kurt Cobain tee and ski goggles, and on purpose. Since his mid-2000s success, Williams’s fall from grace has been exceedingly long and noisy; in 2016 alone he was arrested four times for everything from “criminal damage to property” to sucker-punching a seventh-graderduring a friendly pickup soccer game. He’s back to doing stand-up now, though. He released a Netflix special in mid-January, Great America, where he talks into a golden microphone about racial tension and Trumpism, but also about the ways in which life—and he has lived a life—changed him.

It makes sense that someone like Williams would wash up on an absurdist show preoccupied with personal transition, but it’s still a surprise when he presses his face up against the screen door, and remarkable that his inclusion works so seamlessly. And so well.

To the extent that time is real in Atlanta, it’s mid-afternoon by the time we meet Willy, and he is still wearing a bathrobe. Think of him as a much older Money Mike; the pimping is mostly dead and the alligator shoes are just house slippers now, although he does still have the alligator. A full-grown Caiman. Really.

The best of Williams’s performance coincides with the cops showing up, responding to a domestic disturbance call. “We not domestic, we ain’t eem married,” he explains with great annoyance. You really do forget that nobody willfully misreads things or demands more than their due respect quite like Katt Williams does. His act—which is also, historically speaking, his public face—is that he’s short, and it’s funny in a sometimes-sad way. He is desperate, but acidic; paranoid and uncool, but composed at the same time. Williams is perfect as Uncle Willy because Williams is Uncle Willy. Either might ask, with a crazed look in their eye and a cigarette hanging out of their mouth, what is youuuuuuu doin’ here.

Williams gets a big moment near the end of the episode, and it’s up to you whether it counts as redemption, given the decade he’s had. To set it up: After Willy needles the idea that Paper Boi has outgrown Earn’s usefulness, Earn does something he hasn’t since the third episode of the first season, almost two and a half years in real time. He says how he feels. “What I’m scared of is being you. You know, somebody everybody knew was smart but ended up being a know-it-all, fuck-up Jay that just lets shit happen to him.” Life has plainly not worked out for Willy; there are cracks in the ceiling above their heads, and Fulton County PD is at the front door.

Damn,” Williams says, and for what it’s worth, I also said “damn.” It’s one of those moments that bridges Atlanta’s surreality and the physical world. Willy/Williams becomes, unambiguously, what Earn/Glover has to grow beyond, and it’s striking, dispossessing. “If you don’t wanna end up like me,” Williams says, “get rid of that chip-on-your-shoulder shit. It’s not worth the time.”

He busts out the back door to skitter off into the sunset after that. Willy’s exit doesn’t magically solve his nephew’s insecurity. This is Atlanta as it ever was: reliably human, and reserved in its commentary on that humanity.

Chris Rock Announces Imminent New Stand-Up Special

‘Chris Rock: Tamborine’ arrives on Netflix Valentine’s Day

Written By | Elias Leight

Netflix continues its aggressive push into comedy by teaming up with Chris Rock for his first stand-up special in a decade. Chris Rock: Tamborine premieres on the streaming platform on Valentine’s Day.

Netflix posted a brief, vague teaser – no shots of the comedian, but lots of tambourines – for the special earlier this month. The comedian announced the details for Chris Rock: Tamborine on Tuesday. The special was filmed at the Brooklyn Academy of Music in New York City and directed by Bo Burnham.

Rock’s deal with Netflix was first revealed in 2016. According to The Hollywood Reporter, the streaming service won a multi-network bidding war by paying Rock $40 million for two specials. “Chris Rock is a beloved actor and director, and his remarkable stand-up makes him comic royalty,” said Netflix chief content officer Ted Sarandos in a statement. “There is no one like him.”

In 2017, Rock embarked on his first stand-up tour in nine years. “Haven’t done it in awhile,” the comedian acknowledged when he announced the run. “Been a little busy, you know, writing Pootie Tang 3 and everything.” He was being somewhat modest. During his time away from stand-up, Rock continued to star in movies (including Top Five, which he wrote and directed), hosted the Oscars and earned an Emmy nomination for directing Amy Schumer’s HBO special Live at the Apollo.