“No age, no gender, no sex — I wanted everyone to feel included.”
When it comes to her debut collection, Converse x Miley Cyrus, this is exactly how Miley Cyrus says she wants her fans to feel. A true reflection of her personal style and influences, Miley tapped into her persona as a performer as well as her eclectic day-to-day style to create a full lifestyle collection.
As a woman who has always been open to all possibilities, Miley partnered with Converse to reflect that feeling of self-empowerment.
“Converse has no boundaries. It’s outspoken. I’ve always identified with Converse because the brand appeals to and represents so many different cultures and walks of life. And they’re accessible,” she says of her reason for teaming up with the brand. The collection’s look book features images that capture the energetic, bold and inclusive nature of Miley and some of her biggest fans (representing across gender, orientation and background) shot by legendary fashion photographer Ellen Von Unwerth.
“I definitely had my fans in mind and in my heart when I was creating,” she says. “I put what they love about me and what I love about them into the design.” Whether sparkling with the Chuck Taylor All Star Glitter or looking to channel Miley’s performance and country roots in the Bandana, individuals can piece together looks for any mood or style.
Converse x Miley Cyrus will be available May 2 on converse.com and at select retailers.
The suede classic gets the Champagne Papi treatment.
The humble Clarks Wallabee gets a tough rap sometimes. The suede moccasin-style shoe is, sadly, less well-known than the brand’s legendary desert boot, even though it’s got significant fashion and cultural pedigree. No less than the Wu-Tang Clan rocked ’em! Or, a little closer to home, Awake NY designer Angelo Baque waxed poetic about his Wallabees to GQ Style. He grew up seeing older, cooler West Indian kids wearing them in Queens. Now Baque wears them regularly, but recognizes they might not have caught on yet with the younger hypebeast set: “When I bring younger kids to my office, they trip out that I got Wallabees—in a good way…I don’t think their age group is really checking for Wallabees right now.”
Clarks is setting out to change that with its latest collaboration—and when you want the kids to follow, there’s no one better to turn to than Drake. The pair have taken on the Clarks desert boot before, but this is OVO’s first swing at the Wallabee. The new OVO edition hews closely to the iconic original, mostly standing out via subtle upgrades and OVO branding. The shoes come in four colorways: a soft grayish blue, beige, black, and a bright burnt orange. Because Champagne Papi is a man of refined tastes, they’re all crafted from Italian suede, and all get leather trim. The shoes’ uppers are stamped with tiny OVO logos, and a fringed tag featuring Drake’s golden owl is attached to the laces. Of course, the tag is removable—but if you’re shelling out for OVO Clarks, you won’t likely be inclined to remove it.
It’s fair to say that if Drake can’t get the kids into Wallabees, no one can. And, sure, that’s a long shot—but if it doesn’t work out, the old heads will have the comfortable, affordable, classic shoe to ourselves. We can dare to dream.
Beyoncé Partners With Google.org in Announcing Four More Scholarships for Her Homecoming Scholars Award Program for 2018-2019 Following Her Second Electrifying Headlining Show at Coachella
GOOGLE.ORG MATCHES HER ORIGINAL $100,000 GRANT, BEYGOOD URGES OTHER BUSINESSES TO DO THE SAME
FOUR NEW $25,000 GRANTS TO BE AWARDED TO STUDENTS AT TEXAS SOUTHERN UNIVERSITY, FISK UNIVERSITY, GRAMBLING STATE UNIVERSITY AND MOREHOUSE COLLEGE – ALL HISTORICALLY BLACK COLLEGES AND UNIVERSITIES (HBCUS)
Beyoncé, through her BeyGOOD initiative, announces a partnership with Google.org, the charitable arm of tech giant Google, to award four new scholarships as part of her Homecoming Scholars Award Program. The iconic performer also issues a challenge to other businesses to join Google.org in investing in excellence through education.
Google.org has matched the $100,000 grant Beyoncé announced last week, which will enable four additional HBCUs to receive $25,000 scholarships for the 2018-2019 academic year. The schools chosen are Texas Southern University, located in Beyoncé’s home city, Houston, Fisk University in Nashville, Tennessee, the alma mater of her father, Mathew Knowles, Grambling State University in Grambling, Louisiana and Morehouse College in Atlanta, Georgia. HBCUs are institutions of higher education in the United States that were established before the Civil Rights Act of 1964 with the intention of primarily serving the African-American community.
“Google understands the vital role historically black colleges and universities play in delivering a high quality and culturally responsive education,” states Maab Ibrahim, a Google.org program manager. “In the last several years, Google has launched innovative programs to close the distance between Silicon Valley and HBCUs; we are proud to continue that commitment by matching Beyoncé’s generous donation.”
“Partnering with organizations like Google.org in support of HBCUs is our way of elevating cultural touchstones that paint a clear picture of excellence and opportunity through diverse education,” states Ivy McGregor, Director of Philanthropy and Corporate Relations at Parkwood Entertainment, which houses BeyGOOD. “We challenge other businesses across the country to join us in this commitment to higher education and investment in the future.”
On Saturday, April 14, Beyoncé made history at the 2018 Coachella Valley Music and Arts Festival by becoming the first Black woman to headline in the festival’s 19-year run.
The jubilant set, housed on a pyramid stage with 150-plus cast members, dutifully in-sync, was the first time the icon returned to her home, the stage, in over one year.
The show, with its homage to excellence in education, was a celebration of the homecoming weekend experience, the highest display of college pride. The energy-filled production put the spotlight on art and culture, mixing the ancient and the modern, which resonated masterfully through the marching band, performance art, choir and dance. It was the impetus to mark her second scholarship program.
“As a Morehouse graduate myself, I can attest that HBCUs provide both an excellent educational opportunity, as well as a community of support that lasts a lifetime,” says Steve Pamon, President and COO of Parkwood Entertainment, the company serving as the umbrella for Beyoncé’s production and business ventures. “The lifeblood of that community is an annual pilgrimage to homecoming. This scholarship program can ensure that more students will enjoy the HBCU experience that continues to enrich my life.”
A total of eight schools will now receive Homecoming Scholars awards for the 2018-2019 academic year, including awards previously-announced for Xavier University of Louisiana, Wilberforce University in Ohio, Tuskegee University in Alabama and Bethune-Cookman University in Florida.
One winner from each school will receive $25K for the 2018-2019 academic year for study in various fields. This is the second year of scholars programs created by Beyoncé.
The Formation Scholars Awards Program, also a merit scholarship program, was established in April 2017 in celebration of the one-year anniversary of LEMONADE, Beyoncé’s critically-acclaimed and globally-lauded 2016 visual album. The Formation Scholars awards encouraged and supported young women who are bold, creative, conscious, confident and unafraid to think outside of the box.
The Homecoming Scholars Award Program for 2018-2019 will expand to qualifying students at the universities, regardless of gender. The disciplines will include literature, creative arts, African-American studies, science, education, business, communications, social sciences, computer science and engineering. All applicants must maintain a 3.5 GPA or above. All finalists and winners will be selected by the universities. Winners will be announced this summer.
Lifestyle collection to reflect the many facets of the legendary entertainer
HOLLYWOOD, Calif., April 24, 2018 — Generated by the momentum of Britney Spears’ award-winning and record-breaking Las Vegas residency, “Britney: Piece of Me,” and in anticipation of her upcoming tour, the multi-platinum, Grammy Award-winning pop icon is joining forces with global brand management and licensing company Epic Rights to develop and launch a line of high quality fashion and lifestyle branded products that reflect her personal sense of style, lifestyle, artistry, and creativity.
“I am excited to collaborate with Epic Rights to create a new contemporary lifestyle collection,” said Britney Spears.
“We see this new lifestyle collection as Britney’s next step in connecting with her legions of loyal fans around the globe,” added Larry Rudolph, who manages Britney Spears. “Sharing her style and fashion sense through products she has developed is a testament to her authenticity as well as her commitment to and appreciation of the fans that have made it all possible.” “Britney continues to be one of the biggest pop stars in the world with numerous multi-platinum records and awards over the past 20 years. As a passionate artist, successful businesswoman and devoted mother, her strive for excellence is unparalleled,” added Dell Furano, CEO of Epic Rights.
With one of the bestselling fragrance lines of all time, with Elizabeth Arden, available in over 85 countries and her recent campaign starring as the face of Kenzo, Spears and Epic Rights together, will continue to expand her brand presence in the marketplace, globally. Spears’ personal involvement in all aspects of the collection will ensure authenticity across a number of targeted categories including fashion apparel, hair care, accessories, exercise and electronics. The anticipated retail launch for the Britney Spears Lifestyle program is Spring 2019.
Epic Rights will also manage Spears’ e-commerce initiatives including Amazon.
Spears recently announced her tour across the U.S. and Europe, following her record-breaking, four-year headlining residency, “Britney: Piece of Me,” at The AXIS at Planet Hollywood Resort & Casino, where Spears received rave reviews from both critics and fans alike since opening in Dec. 2013. As the first contemporary superstar resident in the city, and with over 250 shows, the record-setting residency was sold out on a regular basis, generating over $140 million gross revenue and selling nearly 1 million tickets. Spears’ tour—which sold out in minutes prompting additional shows–kicks off on July 12 in National Harbor, MD and concludes on Aug. 24 in London.
Today is national lingerie day and, leave it to Fenty genius designer, Rihanna, to celebrate in the best way possible. The singer-turned-fashion-maven has given the world the gift of a sneak peek of her coming lingerie collection, Savage x Fenty, which she announced last week. In an image that the star posted on Instagram, Rihanna lounges in front of a black backdrop wearing what looks to be a red and white bodysuit made of cut-out lace. Looking up at the camera, with a Savage x Fenty logo at the forefront of the image, this is most definitely the first official ad for the collection—and we can’t get enough.
Though Rihanna might very well we wearing the bodysuit with nothing else (her bottom half is cut out of frame), we can just as easily see the star donning this piece with everything from a cocktail-ready skirt to slouchy, distressed boyfriend jeans. Which means: we will be too, of course!
Rihanna has made statements about her main line, designing for women of all shapes and sizes. Her new lingerie line has many hyped about size inclusivity, though some are not satisfied enough. If her landing page is any indication, Savage will reportedly be carrying up to a cup size 44DD. While many lingerie brands stop sizing up past a 38, this is big news. That said, many fuller-breasted women are hoping that the star chooses to include cups that are larger than a DD. We shall see.
With this Instagram, the brand also now has a website: SavageX.com, though nothing but a countdown (16 days and change!) can be viewed. Here’s hoping Rihanna continues dropping breadcrumbs until the launch on May 11 but, until then, we’ll be dreaming of the countless outfits we can create around this singular bodysuit. Thanks, Rihanna!
Coming with a knitted upper and reflective outsole.
Written By | Jack Stanley
First revealed last year, the Louis Vuitton VNR sneaker (Vuitton New Runner) has been reworked with four new colorways from the label. The sneakers come in white, dark grey, navy blue or all-black uppers, all of which feature contrasting details on the midsole.
The runner has a functional and technical aesthetic, with a knitted upper sitting on top of a shiny-effect rubber outsole. Other features include Louis Vuitton branding on the tongue and heel. The latest colorways of the VNR sneaker are available now for $1170 USD via the Louis Vuitton web store.
Written By | Mara Siegler, Oli Coleman and Carlos Greer
Kanye West canceled 21 tour dates in 2016 after suffering a “nervous breakdown,” but there are new fears for his health after he abruptly fired manager Scooter Braun and a “friend” claimed West had been addicted to opioids.
On Monday, Hot 97 host Ebro Darden told listeners that he had spoken with West this weekend, and West allegedly told him, “Nobody really showed love for me when I was addicted to opioids and in the hospital.”
If West had actually canceled the tour due to drug use, it could have legal ramifications.
The rapper filed a 2017 $10 million lawsuit against insurers Lloyd’s of London, claiming they were refusing to pay for his lost dates and citing his marijuana use as an excuse.
The insurer finally caved in and agreed to pay most of what was due to cover the lost tour dates.
Lawyers for Lloyd’s didn’t return calls for comment Tuesday.
Meanwhile, a source close to West tells Page Six they were “doubtful” he was hospitalized for opioid use and “disappointed” Darden made those claims on-air.
West sources had said at the time of the 2016 breakdown that it was due to the death of his mom, the stress of juggling his fashion line and the tour, and acute sleeplessness and paranoia.
West dramatically just fired Braun and others in his inner circle — despite having just announced five new albums on Twitter — with sources spreading rumors online that those cast out were “very worried for Yeezy’s mental health” and that he could be suffering from “another episode.”
West hired Braun, who also reps Justin Bieber and Ariana Grande, a couple of years ago.
He took a larger role in March after West’s longtime manager Izvor “Izzy” Zivkovic stepped down.
While Braun and a rep for West didn’t comment, the first source explained, “Kanye has been saying he wants to bring all representation in-house, and that extends to his managers. His mentality is, ‘I can’t be someone’s client. I have to represent myself.’ He’s clearing house. Scooter remains in an advisory role.”
Since returning to Twitter, West has been raising eyebrows with a series of peculiar tweets.
On Tuesday he wrote, “to be great is to be misunderstood” as well as “dragon 🐉energy/Natural born leaders/Very instinctive/Great foresight.”
He also drew some ire by praising a noted right-wing commentator, saying, “I love the way Candace Owens thinks.”
We’re here at House of Fresh founded by award winning music producer Drumma Boy. He’s worked with artists from Gucci, Young Jeezy, Rick Ross, and Migos. Drumma Boy has been responsible for albums like Jeezy’s recession and Rick Ross’ Trill and hit songs such as “No hands and money to blow,”
This venture is no different; since the stylish boutique opened its doors in 2017, it’s become a hit of its own. A popular destination for unique streetwear and exclusive sneaker finds the store caters to the city’s elite.
Prince William and Kate, the Duchess of Cambridge, welcomed a third child into their family. Theboy, weighing 8 pounds and 7 ounces, arrived Monday at St. Mary’s Hospital in London. Kate gave birth to the new prince with her husband by her side.
The new prince joins big brother, Prince George, 4, and sister Princess Charlotte, who turns 3 on May 2.
The baby becomes the fifth in line to the British throne, behind his siblings, their father and their grandfather, Prince Charles. The baby’s arrival bumps Prince Harry, once known as “the spare to the heir,” down to sixth place in the order of succession.
Prince William, 35, and his wife revealed they were expecting another child on Sept. 4 after Kate, 36, was forced to cancel several official engagements because she suffered from hyperemesis gravidarum. The pregnancy complication also affected Kate with her first two pregnancies and even left her hospitalized for several nights when she was carrying George.
Kate’s illness caused her to miss her son’s first day of school but once she recovered, she quickly resumed a full schedule filled with charity visits and official events, including an appearance at the BAFTA ceremony, the British equivalent to the Oscars.
She and Prince William, who celebrate seven years of marriage on April 29, also took an official four-day trip to Norway and Sweden. She went on unofficial maternity leave following a pair of March 22 charity visits to celebrate the Commonwealth.
Kate gave birth at the Lindo Wing of the St Mary’s Hospital, where both of her other children were born. The facility is also where the late Princess Diana gave birth to Prince William and Prince Harry.
After Kate gave birth to Charlotte, she was discharged from the hospital just hours later. With George, Kate stayed overnight.
The ilCaffè in Downtown Los Angeles has all the makings of a scene. A French bulldog nuzzles up at the foot of its owner, hoping to catch any pastry scraps that fall off the table. An entrepreneur delivers fresh-pressed juices through the sturdy door inside the Eastern Columbia Building and waits for her bounty like a gold miner keen for a reward for her hard work. Finally still, the shop itself is physically connected to the Swedish brand, Acne Studios, where thousand-dollar coats bearing men’s names like “Garret,” “Charlie” and “Matthew” waft in the caffeine aroma.
This is where multi-hyphenate, Jaden Smith, wants to meet. He calls it his “favorite coffee shop” and arrives right on time for our 3 p.m. conversation — whirling through the entrance and offering his hand for a friendly introduction.
“Hi. I’m Jaden.”
He’s fresh-faced and handsome, with a head full of closely-cropped, bleached blonde hair which gives the impression of butter on top of a pancake. He’s wearing an oversized MSFTSrep hoodie (his own brand of unisex clothing) and a pair of black Tripp NYC trousers with an abundance of tentacle-like straps nonchalantly dangling from them. As a total package, he looks like he just rolled out of bed — but in a cool way.
We settle at a small table near the bar. His manager has left us to it; Smith doesn’t need anyone to monitor anything controversial that he may or may not say.
If an “open book” is a metaphor to describe someone unafraid of voicing various traits and beliefs, Jaden Smith is new media — “Command P” — ready to print and create visual documentation of how he views the world.
“I love the fact that I can be on the cover because that means I can reach more people,” he says. “That’s my whole mission of what I’m trying to do.”
With 6.4 million followers on Twitter and another 6.3 million on Instagram (and growing), he certainly has an active digital audience. But Smith wants much more than retweets and likes. He wants to inspire his fans to create unabashedly, and on their own terms. To him, the Internet is a conduit to fulfill that duty.
“I hope to see more people start to love themselves and release music and products in general,” he says. “I hope to see people start to trust their vision more and to go full speed towards what they want in their life, and to really go and grasp what they want instead of just sitting back.”
Other entertainers might use their platform to provide aspirational examples of what being passionate and driven affords you in life. But Smith has a different outlook on social media. He sees himself as somewhat of a martyr, where he is willing to assume the burdens, hate, and vitriol associated with being different.
“I hope that people can see me and say, ‘Oh, so he’s under a bunch of fire for wearing a skirt or saying something that was really wild. Now that everybody’s talking about him, I can be behind the scenes and do what I need to do,’” he says. “Jaden’s taking the fire. So I can stand behind him and not be burned by the fire of the world.”
Even though it may be easier to simply say that harsh criticism doesn’t faze him, Smith is quite forthcoming with the backlash that comes with creative risk, like when he appeared in a skirt in Louis Vuitton’s Spring/Summer 2016 campaign alongside models Sarah Brannon, Jean Campbell and Rianne Van Rompaey. “It’s hard for me to bear it sometimes, you know?” he admits. “And I haven’t always been able to bear it in the way that I do.”
Despite his fearless attitude, there were voices in his ear questioning if it was the right career move.
“There were a lot of people after it happened that were like ‘yo, what are you doing?! That’s so freaking weird!’ And I was like, ‘Dude, I’m so weird, like what do you want me to tell you?’”But he found the resolve to rise above the criticism when he realized the value of questioning heteronormativity in fashion. There are plenty of street style stars and fashion acolytes who readily push the boundaries of clothing as self-expression, but when Smith does it, it packs a certain gravitas.
“It’s taking a separation that was there,
and then knocking it down and creating something completely new.”
“It’s like knocking down the Berlin Wall,” he says. “It’s taking a separation that was there, and then knocking it down and creating something completely new. That’s what I was doing with that.”
Smith represents a new kind of young fashion consumer. He once posted an Instagram from a Topshop fitting room where he was trying on women’s clothes, or as he called them, simply “clothes.” Rote categorizations between menswear and womenswear are obsolete; all that matters is whether or not these kids can see themselves in the pieces.
In describing Smith’s approach to fashion, designer Nicolas Ghesquière told The New York Times that “Wearing a skirt comes as naturally to him as it would to a woman who, long ago, granted herself permission to wear a man’s trench or a tuxedo.” Or as Smith puts it: “There’s no bigger flex than doing something no one else would do.”
He also represents a new approach to young celebrity. Instead of focusing on the privilege afforded to him as a youth born in the limelight, he prefers to focus on the relatable teenage angst that affects him as much as it does his peers. Instead of using Instagram to highlight life on a private yacht or the other extravagances he has access to, he uses it show he is just as vulnerable as any other kid trying to find her or his place in an increasingly complicated world.
When he was younger, he posted photos of himself crying on Instagram and Twitter to show that someone in his position doesn’t necessarily feel less negative emotions than the average teen. It’s a self-aware message that resonates with a younger audience. During our chat, a 20-something girl dressed in all black ventures over to compliment Smith on his unique pants. He thanks her. In that moment, she appears as if she’s simultaneously been hit by Cupid’s arrow, and also seen a ghost.
“This is the best day ever,” she states upon realizing who he is. “I was just watching you on YouTube all day yesterday.”
“Really, why?” Smith asks.
“This might be completely difficult for you to understand,” she answers, “but I’m really into dark shit. And you’re very nocturnal. And there’s probably like a 5% of the entire universe that understands that mentality. This is my favorite coffee shop in the entire world, because it’s Swedish. I’m really into black metal and shit. You have a really dark thing that you carry with you, that’s so fucking beautiful that the majority of the world can’t see. Don’t lose that. People don’t understand that. It sounds cheesy, but that’s my life.”
The whole exchange is over in less than a minute. She seems equally as enthusiastic about the chance encounter as he does about her assessment of his personality. Despite his willingness to engage with fans, Smith makes it clear that he isn’t much for being out in the public eye. It’s not so much that he fancies himself a recluse; it’s simply that he has bigger things on his mind than restaurant openings, parties, and other lavish things that might be afforded to someone who grew up the son of Will Smith and Jada Pinkett.
“If I have nothing to do, I’ll just stay home and really think about life,” he says. “‘Because there’s enough in life for me to just sit and like ponder what it’s really about.”
Although he has been parodied in the media for his various existential musings, he’s often in on the joke. In a video for Vanity Fair titled “Jaden Smith Reads Mind-Blowing Facts About the Universe,” he plays up his astonishment over truths like human saliva containing opiorphin, a natural painkiller proven to be six times more powerful than morphine.
Whether it’s Doomsday prophesies, a broken educational system, or the Precision Equinox, he seems genuine in his pursuit for knowledge. Smith clearly wants a better understanding of why things are or aren’t happening.
“My job here is not to teach people — because that implies that you know something that other people don’t know,” he says. “Do I know things that other people don’t know? Absolutely. But that’s not my thing. I’m not here to teach people, I’m here to learn.”
Smith clearly knows his audience. And they find the way that he carries himself to be an honest reflection of what it’s like to be a 20-something.
“It’s just that I’m a witness to the world, and the world has a really dark side to it that I choose not to ignore,” he says. “Somewhere is always dark, somewhere is always light. You always have that duality, it’s just where do you choose to exist within your own mind.”
That idea of duality is reinforced in the days after we spoke with the unveiling of his music video, “Batman,” from his forthcoming album, Syre.
Smith’s intrigue with the Caped Crusader is certainly not a new phenomenon — having donned an all-white Batman costume to the nuptials of Kanye West and Kim Kardashian. But after speaking to him, it seems less like a publicity stunt and more in tune with his worldview involving the duality of character within in his own life.
“I love Batman because in the daytime he’s Bruce Wayne, and in the nighttime he’s Batman,” Smith says. “And I feel the exact same way because in the daytime I’m Jaden Smith, but in the nighttime I’m Syre — which is my middle name and the name of my album. That’s where I pull a lot of inspiration from — reminiscing on the past, thinking about the future, the world, about how far we’ve come with MSFTSrep, and everything that we’ve done.”
“It’s my world. It’s everything I want to do. It’s all of my rules, and I totally don’t care, except for what feels right.”
In addition to his debut studio album and his clothing line, Smith’s also got a film, Life in a Year, which tackles cancer in young people — and was the major onus for cutting off his signature dreadlocks.
“With acting in a movie that someone else is producing — I’m going to be more serious, because it’s not my idea. I’m just the actor; I’m just the model; I’m just the muse,” he says.
Smith’s other major credit recently had been on Baz Luhrman’s hip-hop drama, The Get Down, which chronicled the rise of the genre in the Bronx in the early 1970s. Although the show was cancelled after only one season, it did allow Smith to reflect on his place in the contemporary world. His character, graffiti writer Dizzee, has an arc in which he explores his own sexuality in the context of the free-loving 1970s and fledgling hip-hop culture — a genre that’s only very recently started to feel more inclusive towards the LGBQT community. “I’m suited for right now,” he says. “I’m supposed to be here right now. If I would’ve come any earlier, people would’ve just tried to kill me.”
In a sense, Jaden Smith’s acting career is akin to Bruce Wayne’s persona as a billionaire playboy philanthropist. It’s the mask he puts on to fit into the world at large. But music is the force that drives his inner Batman. In the same way the fictional caped crusader’s endless battle against crime fuels his existence, Smith’s approach to music gives him a platform to create something bigger than himself.
“I created a new game,” he says. “It’s my world. It’s everything I want to do. It’s all of my rules, and I totally don’t care, except for what feels right.” He describes his style of music as “Pop Runk” — a hybrid of stylings inspired by the worlds of “rap, skate and punk.”
“Pop Runk is the future,” he says, eyes lighting up. “Kurt Cobain inspired me. Kid Cudi inspired me, Kanye. All of my homies inspired me. But the biggest inspiration in my life would be Kid Cudi and Tycho.”
The mention of Kurt Cobain seems rather apropos. Days prior, Pete Wentz of Fall Out Boy told music publication NME: “When I talk to like my rock friends, they’re like, ‘The next Nirvana is coming, the next Nirvana is coming’ and I’m like, ‘Yeah, but the next Nirvana probably is coming, but not in the form of Nirvana. It might be like Jaden Smith.’”
Smith takes it as a compliment, but doesn’t feel like he’s quite at that level yet. As he interprets it, Wentz means that when the next Nirvana comes, it’s going to come in a form that people won’t expect — perhaps someone like Jaden Smith. He admits there are probably other worthy successors in line to become the next Nirvana, but also admits there are people waiting in the wings waiting to become the next Will Smith.
Jaden Smith is nearly the same age as his father was when he and DJ Jazzy Jeff released their debut album, Rock the House, in 1987 which sent them both on a Hollywood trajectory. He doesn’t shy away from comparisons. Much in the same way he studies various topics that keep him up at night, he has also examined the path his father took.
“He started in music and transitioned to movies. I started with movies, and then I transitioned into making music,” he says. “I look at him and use it as a blueprint of how good of a person he is, but not necessarily the success that he reached.”
Jaden Smith may ultimately never solve any major world crisis or become the next Kurt Cobain or Will Smith, but he may do all three. And as savior, savant and Renaissance man, who’s to say he’s not already Batman?